Tag Archives: Robert Figueira


stash poster 5-14

Directed by Terry R. Wickham
Written by Alan Smithee

Almog Pail
Jonathan Weirich
Richard Kern
Jesse Ray Sheps
Tina Surabian

“Stash” is a slow-burn segment created for the anthology feature film Devil’s Five.

Devil's Five Poster




Please click on links below to read blogs & photo galleries documenting how “Stash” was shot:

Blog: Awakening the Beast by Tim Clark


July 12 & 13, 2014 in Califon, New Jersey
Blog:  Darkness Falls, Bugs Attack and a Film Crew Unites by Tim Clark


July 19, 2014 @ Inwood Hill Park, New York, NY


July 26, 2014 in Melville, New York


July 27, 2014 in Melville, New York


October 11, 2014 @ Inwood, Hill Park, NY

Director of Photography: Edwin M. Figueroa

Editor/Post-Production Supervisor: Robert Figueira

Music Composer: Michael Romeo

Production Designer: Michelle Rickert

Assistant Director/Gaffer/Associate Producer: Michael Fels

Costume Designer: Lindsey Vandevier
Meeting with Costume Designer Lindsey Vandevier

Special Make-Up Effects: Beatrice Sniper

Make-up Artist: Sarah Cruz

Additional Make-up: Dylann Stahal

1st Assistant Camera:  John Galeano

2nd Assistant Camera:  Tiffany Provido

Sound Recordist/Designer: Junior Manzueta

DIT/Still Photographer: Connor Hassler

Production Coordinator/Key Grip: Kyle Weaver

Production Coordinator/Key Grip: Ian Clarkson

Behind The Scenes Documentary: Zachary Atlas

Primal Fear agrees use of song “Delivering The Black” for Devil’s Five








Going into our last shooting day, I knew it was going to be long & grueling and it was.  18-Hours later all I can do is smile with what we accomplished.

The facts are: we made a movie with seven-times less than what we wanted from our Indiegogo.com campaign.   When you consider we lost more than half a night to a thunderstorm (our second night in New Jersey – which on a short film like this is a big loss).  That we were probably under crewed much of the time and we had to scratch & claw for everything we needed (locations, insurance, meals, you name it) but even with all these struggles, we still FINISHED TWO DAYS QUICKER THAN I HAD ANTICIPATED.

I credit this to being able to adapt to each situation and my incredibly hard-working cast & crew.  There is no way a movie is made by one person.  STASH certainly wasn’t made by just me.


My Director of Photography Edwin M. Figueroa was a Godsend.  Edwin knows the equipment like the back of his hand and runs the team of camera assistants, grips & electrical personnel with expert authority.  This group of crewmembers is essentially the offensive line of filmmaking.  Everything goes through them.


Without lights, electrical and camera equipment there is simply no movie.  What these guys did on Sunday, allowed the rest of us to do our jobs.  Having Kevin Saporito, Zack Alliger, and Greg DeBonet onboard this weekend really helped us out.  Not only their work on G&E but traveling to pick up the van to transport our gear and even pick up dinner from restaurants.  Those things helped us out immensely.  Over the course of the entire production, Ian Clarkson & Kyle Weaver carried a bulk of this heavy load. 


My Assistant Director/Gaffer/Associate Producer Michael Fels (he wore three hats) has earned deserving praise from all who’ve had the pleasure to work with him.  His job was vitally important not only because he coordinated Edwin’s instructions but also ran my film set.  He was so polite and carried such a optimistic attitude that he made it easy for people to listen to him and do what he asked.  I wanted people to enjoy working on this movie and Michael is one of the reasons they probably felt this way.

1st Assistant Camera John Galeano was beyond huge for us.  On Sunday July 27th (the last day) Edwin’s RED camera had a problem.  Shortly after beginning filming it just stopped working.  If it wasn’t for John bringing his RED camera as a backup, we wouldn’t have been able to finish shooting our movie. 


Robert Figueira (pronounced “Rowbear”), my Editor/Post-Production Supervisor made it to every shoot.  Having him there the whole time was for not only great getting his expert opinion of what was being filmed but also he helped pull focus at times and came up with footage solutions when we needed them most.


Our Production Designer Michelle Rickert could almost fly under the radar but not on my watch.  She worked tirelessly to put everything in frame we see within the movie.  Though we ran into a few snags (like not being able to buy items needed for the finale, when all stores had just closed) she didn’t let it stop her from performing her job and doing it well.  I really appreciated her working everything for as long as she could, kind of like one of the chefs on the Food Network until they are told to back away and put their hands up.  I’ll never forget the first weekend when she stood in ankle deep swamp, amongst skunk cabbage & bugs for an hour and a half to perform a gag needed for the shot.  That’s dedication.


I was happy that our Sound Recordist/Sound Designer Junior Manzueta finally got a chance to capture sound without loud generators ruining what he was recording.  Plus this was truly this film’s “acting” weekend, as the heavy dialogue scenes dominated what was filmed.  Junior had a couple assistants to help him along.


Almog Pail is in every scene in STASH.  She went through the ringer for us and always looked great doing it.  Sunday was no different.  After getting her hair done by my good friend Frank Fuina (a professional hair stylist whom you can book an appointment at his salon/store: Guilty Indulgence, 10 N Park Ave, Rockville Centre, NY 11570 · (516) 868-1706) Almog did a sensational job carrying out the first scene in the movie.  This opening included not only our other main actors but thirty extras.  Almog was always graceful, in character and dealt with any production hang up that came along (and they did).


Jonathan Weirich delivered the goods as “Minister Malcolm.”  He has a charismatic way of carrying himself that’s amplified by his can-do attitude, something that made it impossible not to like him.  He was essential as the leader of the church and his on screen relationship with the other cast members glows.


This Sunday was a big day for our young actor Jesse Ray Sheps who was playing “Devin.”  This cute 9-year old boy made an immediate impression and blew everyone away with his grasp of acting.  Fearless and completely prepared, Jesse laid down the law of his slightly devious character and made all of us proud that he was part of our film.  Hearing the lines come out of his young mouth, with the amount of concentrated conviction, made everyone take notice and raised the talent meter of our film considerably.


Speaking of the extras, I’ve got to give kudos to everyone for waiting out our technical issues, which delayed the first scene.  Every extra came dressed appropriately and just made the “Bake Sale” scene feel real.  I was thankful for the patience and positivity each person had, which made the difficulties easier to sit through.  I can’t thank everyone enough for donating not just their time but rolling with the production punches.


Speaking of “Bake Sale” I can’t possibly I forget to mention Francesco’s Bakery and owner Francesco Guerrieri.  His amazing Italian-American Bakery supplied all the absolutely delicious gourmet-assortment of baked goods needed for the scene.  It was funny watching crewmembers put their dibs on specific cupcakes, pies, Danish, cakes, donuts and pastries, while the children couldn’t help but repeatedly ask for freshly baked cookies and ornate brownies.  For example, I had a mouth-watering cupcake that had a Reece’s Peanut Butter Cup cut in half with a Kit Kat split down the middle on top of sweet, almost frosting like cream.  I never imagined we’d get the superb level of baked goods we received and I’m telling you make it a point to visit one of Francesco’s Bakery locations; Hicksville, Massapequa, Farmingdale, Bethpage and Plainview, New York.

 Buffalo-Wild-Wings-Exterior-31    Chili

Buffalo Wild Wings and Chili’s in Farmingdale, NY contributed the last supper for us.  The assortment of different tasting wings, along with a variety of chicken, quesadillas, sliders and salad went very quickly and more than satisfied everyone working on the film.   I have to thank General Manager Liam Connors @ Buffalo Wild Wings and Chili’s Managing Partner Sidney Rusaw for their help for supplying such a satisfying main meal of the day.  The little trays and size of the wings made it easy to eat on set and Chili’s is one of my favorite restaurants because of the quality of food and variety.


We worked on finishing the climax of the movie until the sun came up.  It was exhausting and real test of endurance.  There is one part of this scene that worked like gangbusters. It’s a scene where “Louis” (Rick Kern) leads the way with unabandoned glee.  I don’t want to give too much away other than to say the scene had me laughing hysterically and I predict it might be singled out as the best moment in the film.  Even all business Edwin was on the floor laughing, so that is a telltale sign.


Near the last part of the night our Special Make-Up Effects artist Beatrice Sniper was called upon to perform her magic.  Bea has such an infectious positive attitude and capacity to accept delay, that I loved working with her.  Nothing was too challenging to her as she just took every task head on.  I can’t stress enough how good this is while under the gun to finish a movie.

Sarah    Dylann

I can’t forget the wonderful regular make-up job that Sarah Cruz applied over the duration of the production.  She drove from Pennsylvania to make our actors look their best and on this last weekend was assisted by Dylann Stahl.


Also Costume Designer Lindsey Vandevier certainly did an excellent job of coordinating the costumes.  The spring Easter colors she had all the performers wear in the bake sale certainly stood out against the darker colors that followed in the sinister last quarter of our movie.

I want to thank each and every person who put something into the making of “Stash.”  I couldn’t have done it without you.