Tag Archives: Michelle Rickert

Stash Gallery

To commemorate the upcoming release of Devil’s Five feature film, here is a Gallery from Stash, which was the first of five segments to go before the camera back in the summer of 2014.

Part of Stash was shot deep in the woods of Califon, New Jersey. In the far distance Stash Writer Tim Clark is venturing into the real world his character “Faith Daniels” would be traveling through later at dusk. Photo Connor Hassler
G. Paul Salvetti (left) and his family allowed the production to shoot Stash on their considerable acreage of wooded land. G. Paul Salvetti, Director Terry R. Wickham (center), Production Designer Michelle Rickert hidden behind Writer Timothy David Clark (in black shirt and hat on right) hold a conference before shooting begins on Saturday 7/12/14.
Stash had an incredibly hard-working crew. Here left to right: Best Boy Kyle Weaver (blue), Gaffer/AD/Associate Producer Michael Fels (white) helps Best Boy/Key Grip Ian Clarkson (red) carry the equipment needed to light up the woods at night.
Steadicam Operator Devon Catucci prepares for a whole night of shooting. Director Terry R. Wickham was told by the first DP he hired for Stash that he would never get Steadicam for Stash because the budget couldn’t afford it. Wickham proved that DP wrong after he fired him. The truth is Devon Catucci accepted the gig less than 24 hours before the shoot, when Wickham had to scramble after the original Steadicam Operator took another gig the day before shooting begun. 7/12/14 Califon, NJ.
Wickham selected young filmmaker Zachary Atlas to document the making of Stash. Look for the behind-the-scenes chronicle to be part of the Devil’s Five release.
Director of Photography Edwin M. Figueroa was a huge part of Stash. Not only was he responsible for the look of Stash, but a year later The Devil’s Five segment, which he also shot for Wickham. Figueroa is one of the three partners that make up the feature film Devil’s Five and directed his own episode called “Choke.”
Production Designer Michelle Rickert (middle right) prepares “Faith’s” (Almog Pail) Stash bag for the movie. Behind them in the woods of Califon, NJ left to right: Associate Producer G. Paul Salvetti, Costume Designer Lindsey Vandevier, Make-Up Artist Sarah R. Cruz and 2nd AC Tiffany Provido.
DP Edwin M. Figueroa sets up a stand for Devon Catucci to rest his Steadicam rig between shots.
Director Terry R. Wickham goes over the first Stash scene with his leading lady Almog Pail on 7/12/14.  DP Edwin Figueroa and 2nd AC Tiffany Provido stand in the distance.  Editor Robert Figueira stands in pink shirt in foreground. 
Near left Production Designer Michelle Rickert (blue top) talks to Costume Designer Lindsey Vandevier (middle in grey), while Make-Up Artist Sarah Cruz listens. In the distance far left Director Terry Wickham talks to his star Almog Pail. Editor Robert FIgueira (middle in pink) observes as well as Gaffer/AD Michael Fels (white) on far right.
Director Terry R. Wickham directs one of the shots that are part of the first item “Faith” (Almog Pail) must find. DP Edwin Figueroa and Steadicam Operator Devon Catucci prepare accordingly in Califon, NJ.
Steadicam Operator Devon Catucci and DP Edwin Figueroa get down and dirty to capture the look of Stash.
Director Terry R. Wickham can almost always be seen with the script for the movie he’s making in hand within his blue protective binder. Here Almog Pail listens to the direction of the next shot as the sun goes down and things are about to get very dark in the woods.
Never one who afraid to get dirty, Production Designer Michelle Rickert wades into the swamp to set up a critter effect she ingeniously created and will hand operate for the shot.
Director or Photography Edwin M. Figueroa really put to use his considerable skills and experience to create the gorgeous look of Stash. Taking full advantage of what the woods offered the production.
As night falls, Steadicam Operator Devon Catucci stands ready for the next shot in Stash.
Filmmaker Terry Wickham helps direct the placement of the critter Production Designer Michelle Rickert will operate during Stash.
The production had to truck-in/hand carry in a considerable amount of movie making equipment (lights, c-stands, mumbo-combos, etc) to light of the environment for the first night of shooting on Stash.

The Devil’s Five Photo Gallery #3

Please enjoy this photo gallery in celebration of final post production phase of The Devil’s Five segment for the upcoming horror-thriller DEVIL’S FIVE.

Writer/Director Terry R. Wickham and Editor Kris Ramsey are putting something together a little something special for the End Credits that everyone should enjoy.

Terry R. Wickham (center) directs actor Ed Gorman (Ambulance Driver) during the shoot for The Devil’s Five segment, while actress Diana Noris (Vala Schneider) stands near at the old Grumman airport runway Calverton, NY

 

Director of Photography Edwin M. Figueroa prepares to film a Interrogation Room Scene. Kevin Cusick (Detective Armitage) applies eye drops, while Sound Recordist Patrick Reilly stands ready with boom mic and Ralf Scheepers (Ansell Schneider) sits patiently.

 

Make-Up Artist Sarah Cruz prepares Vanessa Michelle Charles (Corporal Hamilton) for Police Front Desk scene in The Devil’s Five.

 

Candy Nairovy (Officer Pope) is armed for good reason in The Devil’s Five

 

Action is the name of the game in The Devil’s Five. DP Edwin Figueroa talks to David Denowitz (Captain Friedkin), while Director Terry Wickham goes over the scene scene with his Devil’s Five Partner George Brianka who plays Mister Jingles in the segment.  Make-Up Artist Sarah Cruz listens in distance. At the same time Stunt Coordinator Matt Solazzo prepares actress Diana Noris (Vala Schneider) who’s barely on screen on far right. Actress Sarah Haruko (Detective Hannigan) standing back to us center, takes it all in.

 

Actress Diana Noris and Sound Recordist Pat Reilly chill between setups on the airport runway in Calverton.

 

1st AC John Galeano prepares one of the RED cameras during the shooting of TDF at Riverhead Town Hall basement.

 

Terry Wickham directs Ed Gorman (Ambulance Driver), while Lauren Dougherty (Nurse Davenport) and Richard Kern (Dr. Goode) listen in Calverton, NY.

 

Special Make-Up Effects Artist Church Haley airbrushes Diana Noris to play Vala Schneider in TDF.

 

Production Designer Michelle Rickert middle in distance prepares the bloodbath inside the ambulance. Key Grip Michael Goguey (bottom left) and Special Make-Up Effects Artist Church Haley (bottom right) do their part to fill the medical transport vehicle with carnage.

 

DP Edwin Figueroa films Ralf Scheepers (Ansell Schneider) while AC John Galeano and AC Guillermo Cameo stand ready to assist in Riverhead, NY
On September 27, 2015 the Harvest Moon shone bright over the The Devil’s Five shoot in Calverton, New York.
Producer/actor Richard Kern, Jesse Ray Sheps (Devin), Nadie Lahaie (Babs), Lawrence Levy (Beat-up Business Man) and Michael Pope (Cloaked Figure) seem to be enjoying the TDF shoot in Riverhead, NY.

 

Writer/Director Terry R. Wickham was real happy to be work again with his Devil’s Five Partner/TDF DP Edwin M. Figueroa on the airport runway set in Calverton, NY.

Abandoned Edit Log/Plan turned over to Editor Jason Paluck

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Today Filmmaker Terry R. Wickham turned over his Edit Log/Plan for Abandoned to Editor Jason Paluck.  With so many projects on Wickham’s plate, it took a while.

For those who might be interested Abandoned is made up of 33 total shots.  The average take count was 4.66 takes per shot.  The most takes for one shot was 14 takes.  The least was 1 take.

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The Director shares some thoughts, “The footage is incredible.  Between the acting, legendary locations and camerawork we’ve got something really strong.

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There’s a sure-handedness to the direction I really strived to achieve.  Aaron Mathias is frigging amazing in the film and Siakie Tetteh comes across very natural and believable.

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The movie is captured by Adrian Popescu ‘s silky smooth cinematography.  He did astounding things with lens length and light to generate short depth of field, where our characters are surrounded by blurred foreground and background.   We wanted to draw you to the characters.

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Leftonred Atanycorner’s Steadicam work definitely is an attribute in the film, though I wouldn’t say it’s ever done in a show-off way.  It’s grounded to the purpose of what is happening in the scenes and sometimes you might not ever guess it’s Steadicam.

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I also feel there’s a visual economy to the movie that probably comes from what I’ve picked up from John Carpenter’s directorial approach.  I think it’s something Carpenter is a master at doing and missing in much of today’s film making.

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Now I can’t wait to see how it all comes together in the hands of Editor Jason Paluck.  I know this movie means a lot to him because he played integral role in getting Abandoned made.”