Tag Archives: Adrian Popescu

Abandoned Photo Gallery #3

To celebrate the upcoming completion of Devil’s Five feature film, look at the behind-the-scenes photos from Terry R. Wickham’s atmospheric suspense segment Abandoned.

Filmmaker Terry R. Wickham did his best to utilize the creep factor of one of the large locations used for the movie. Photo Jason Paluck

 

Actress Siakie Tetteh is super excited to play “Billie Winters” in Abandoned. Here Sound Recordist Patrick Reilly mics her up.  Photo Jevon Duff

 

Director of Photography Adrian Popescu (right) and 1st AC Giorgio Savona (left) prepare for a cool slider shot in the guts of an Abandoned looney bin.  Photo Jason Paluck

 

This photo of Production Designer Michelle Rickert and actress Siakie Tetteh was taken right after Abandoned wrapped Principal Photography at Pilgrim State Hospital 7/24/16.  Photo Jevon Duff

 

The places Abandoned was filmed, left lots of room for Director Terry R. Wickham to construct tension. Here Production Assistant Matthew Meehan prepares for the shoot inside the dilapidated structure.  Photo Jason Paluck

 

The production team had some nice discussions, like this deep one actor Aaron Mathias (far left) is leading outside Pilgrim State Hospital. DP Adrian Popescu (hat & sun glasses), Sound Recordist for the day Mark Goldberg (middle), Siakie Tetteh and Terry Wickham (far right) listen.  Photo Jevon Duff

 

Sound Recordist Patrick Reilly is rocking in the run-down locale of Abandoned. Photo Jason Paluck

 

Abandoned was photographed in multiple locations. This one was a dead end cul-de-sac near an deserted playground. Cinematographer Adrian Popescu lines up a shot on 4/24/16.  Photo Jevon Duff

 

The production of Abandoned made full use of places like this that had been neglected and left to rot for years. 7/23/16 Photo Jason Paluck

 

Make-Up Artist Regina Tune (near left of center) enjoys her time on the set of Abandoned. Left to right Steadicam Operator Mark Goldberg (far left) sets up his rig with DP Adrian Popescu. Actress Siakie Tetteh looks pretty in pink while talking to Sound Recordist Pat Reilly, PA Jevon Duff stands listening (far right) on 7/23/16.  Photo Jason Paluck

 

The moving pictures DP Adrian Popescu captured on 4/23/16 were stunning to say the least.  Photo Jason Paluck

 

Actors Aaron Mathias (playing “Steve Timmons”) and Siakie Tetteh made their most of their shooting time on Abandoned 4/23/16. Photo Jason Paluck

 

Director Terry R. Wickham listens to the wonderful sound Patrick Reilly is recording on 4/23/16.  Photo Jason Paluck

 

The crew on the last shooting day of Abandoned consisted of (left to right): Sound Recordist Mark Goldberg, Production Designer Michelle Rickert, DP Adrian Popescu, actress Siakie Tetteh, Director Terry R. Wickham and actor Aaron Mathias. Photo Jevon Duff 7/24/16.  Photo Jevon Duff

 

Director Terry R. Wickham directs his cast & crew for the second shot of the 1st shooting day on Abandoned 4/23/16. Photo Jason Paluck

 

Production Assistant/Still Photography Jevon Duff shots into the monitor while filming on 4/24/16. Production Coordinator/Editor/Still Photography Jason Paluck stands on left with 1st AC Giorgio Savona on right.  Photo Jevon Duff

 

This photo captures just a tiny portion of the massive deserted lunatic asylum. Sound Recordist Pat Reilly prepares to use his boom, with 1st AC Giorgio Savona is in the distance. Photo Jason Paluck

 

Filming at the power plant @ Pilgrim State Hospital, (L to R) Sound Recordist Mark Goldberg w/boom, Siakie Tetteh, DP Adrian Popescu, actor Aaron Mathias and filmmaker Terry Wickham.  Photo Jevon Duff

 

Adrian Popescu films a slider shot amongst the debris-strewn nut house.  Photo Jason Paluck

 

You can tell the two stars of Abandoned Aaron Mathias and Siakie Tetteh really enjoyed their experience on the last shooting day 7/24/16 in Brentwood, NY.  Photo Jevon Duff

 

This was to be the 2nd shot of the first day of filming but unfortunately it had to be Abandoned when the production found it necessary to vacate this particular structure on 4/23/16. Photo Jason Paluck

 

Production Designer Michelle Rickert operates the slate on 4/24/16 while Adrian Popescu (kneeling) shots a cool shot through the front windshield of “Steve’s” car in Abandoned. Photo Jevon Duff.
Siakie Tetteh is breathtaking as “Billie Winters” in Abandoned. Here she’s photographed in the movie by photographer “Steve Timmons played by Aaron Mathias. Photo by Jason Paluck 4/23/16

 

The power plant at Pilgrim State Hospital fit perfectly as the enormous uninhibited place for Abandoned. Look at the crew below to gage it’s vast circumference, this will give you a little idea of it’s monstrous size. Photo Jevon Duff

 

The teamwork on Abandoned was tight knit. The small production team Wickham handpicked filmed in some historic, legendary locations that make the movie look sensational. The filmmaker will always be appreciative of everyone’s efforts and willingness to venture into the decrepit places chosen to film Abandoned. Photo Jason Paluck
After Abandoned wrapped, Director Terry R. Wickham smiles knowing there was nobody better than Siakie Tetteh to play “Billie Winters” in Abandoned. Photo Jevon Duff on 7/24/16

Gruesome Threesome filmed Sunday February 19th

In this screengrab from Gruesome Threesome, “Sarah Peters” (Chanise Renae) is online webcaming with her boyfriend. Photo AVS Production Company

On Sunday January 19, 2017 filmmaker Terry R. Wickham and his production team shot the wraparound segment for Gruesome Threesome.  This is the 7-minute storyline that hosts three of Wickham’s other films; “The Downfall of Johnny Garrett”, “Stalk” and “Hair of the Dog.

Writer/Producer Timothy David Clark and Director Terry R. Wickham made a formidable team on HAIR OF THE DOG

Wickham talks about the shoot, “It was the best experience I’ve had so far on a set in 2017 because it gave me a chance to direct another script written by my long-time friend Timothy David Clark (Hair of the Dog, Stash).  What I love about making films from Tim’s scripts are the qualities he always brings.  There’s no doubt that Tim loves to make things horrific, but it’s his wittiness and humor that separates him from other writers (like myself.).

Tim was smart to design Gruesome Threesome so it could made with very little resources, yet make lots of sense and ultimately be fun for the viewer.  He also quickly figured out a way to integrate the other films seamlessly.  My hat is off to him for doing that.

Gruesome Threesome Production team: (left to right) Sound Recordist Bryan Lopes (standing), Location Manager/Still Photographer Mark Goldberg (kneeling), 1st AC Giorgio Savona (back), actress Linda Collins (middle), actress Chanise Renae (front center), Producer/Director Terry R. Wickham (somewhere way in back), actor John Logan (front center), DP Adrian Popescu (back), PA Nicholas Girimonte (front), Make-Up Artist Regna Tune (far right). Photo AVS Production Company

Plus I got to work with a cast & crew that I hand-selected myself, which is always best for a film director, because these were all my people.

1st AC Giorgio Savona (standing) goes over the placement of lights with DP Adrian Popescu (sitting). Photo AVS Production Company

Speaking of which, it was my third consecutive film with Director of Photography Adrian Popescu.  Adrian and I have developed a chemistry that is undeniable.  It doesn’t matter what outside factors are at play, our trust & communication between each other is special and something I value greatly.

This screengrab from Gruesome Threesome shows off DP Adrian Popescu’s amazing ability to light and cinematically capture “Ray Burns” (John Logan) at his computer. Photo AVS Production Company

What was so cool on this production was aiming at getting quality rather than quantity.  I’m not saying we didn’t try making beautiful cinematic shots on our previous projects, it’s just we had so many more shots/setups to get on those, that having only 10 total shots, allowed us to really focus in on these ten shots.

Wickham took the opportunity between setups to show his three films “The Downfall of Johnny Garrett”, “Stalk” and “Hair of the Dog” to his team. Photo AVS Production Company

I like to take each project as an individual entity and visualize them based on what’s written.  I think it’s a mark of a good director to be able to adapt to each unique tale according to it’s tone, rather than force some kind personal style on a story that may not need it.  To approach each project this way is more fun and leaves more creative opportunity for the filmmaker-cinematographer.

Before the shoot, I did my homework and watched a couple other webcam horror films.  I was strictly watching them to see what I didn’t like about them.  What I came away with was not wanting to waste precious screen time looking at anything that was not important (specifically not seeing characters).  I also totally disliked seeing snowy video screens, Internet delays and other technical glitches.  Is that stuff real, absolutely, but does it make for good viewing entertainment?  I would have to say no, so I wanted to avoid doing anything like that altogether.

DP Adrian Popescu and 1st AC Giorgio Savona make a dynamic duo. Photo AVS Production Company

Adrian and 1st Assistant Camera Giorgio Savona (who was making his third consecutive film with us) were both tremendous in getting beautiful lit, composed shots that maximized the mood and atmosphere we were going for.

Director Terry Wickham (on step stool) gets help from PA Nicholas Girimonte blocking out the daylight coming from windows. Photo AVS Production Company

The film takes place at night, but we shot the entire picture from 9:00am until 7:45pm, so it was done completely during the day.  But with the use of some long black garbage bags and painter’s tape, we had no problem concealing the daylight.

1st AC Giorgio Savona (leaning down) assists DP Adrian Popescu (kneeling) at end of bed. Sound Recordist Bryan Lopes (with boom mic) and PA Nicholas Girimonte (slate) stand, while actress Chanise Renae prepares to do the scene in ‘Sarah’s” bedroom. Photo AVS Production Company

There’s no doubt that Adrian and Giorgio work together wonderfully.  It’s obvious when you see the stellar shots they get, but I also observed it behind the scenes with their working style.  They show a lot of respect for each other and that means a lot to me.  Making movies is hard work.  There’s no reason why it shouldn’t be as pleasant as possible.  Working with these two gentlemen is not only an honor but a privilege.

Wickham leans against wall with blue script binder, while DP Popescu makes a lighting adjustment for the first shot in “Sarah’s” (Chanise Renae) bedroom webcam scene. With all the windows closed and garbage bagged, the room got very hot, which was the reason Chanise kept her sweater off her shoulders between takes. Photo AVS Production Company

I had worked with actress Chanise Renae before on The Devil’s Five segment, and that was the reason I asked her to audition for the role of “Sarah Peters.”  I knew she had the ability to play all sorts of emotions and her fearlessness was why she ultimately won this role.

In this screengrab from Gruesome Threesome, Chanise Renae looks very comfortable playing “Sarah.” The red bra she is wearing is the exact same one she purchased from Victoria Secret and wore during her audition. It was this kind of thought & preparation that helped win her the role.

Chanise came totally prepared and she looked dazzling as “Sarah.”  I loved how nothing seemed too daunting to tackle and she gave me multiple choices in her performance, which is a testament to her acting ability.

It was clearly visible that these two actors enjoyed working together. Photo AVS Production Company

Plus the emotional and psychological interaction between Chanise and actor John Logan was noticeable.  I don’t mean that in an off-set way, but rather how their worked while shooting the movie and what’s detectable on camera.  The fact is these two were having a blast together doing their scenes and this made it believable that they could be “dating” in the movie.

Chanise and John always kept at getting to their heart of their scenes. Photo AVS Production Company

This was my first time working with John Logan and I’m so glad I choose the talented young actor to play “Ray Burns.”  John has a real professional attitude and approach any filmmaker would welcome.  Part of this might be because he’s produced films himself.

At times “Ray Burns” (John Logan) gets a bit spooked by what he sees

What I most admired about John was his ability to do what Tim had written.  The moments where “Ray” was supposed to be scared and frightened, would deflate some actors’ egos.  But John was smart enough that doing those things showed more of his acting range and I pointed out to him will probably garner more fans, especially of the female kind.

You might not want to mess with “Ray’s Mom” (Linda Collins). Photo AVS Production Company

Actress Linda Collins was perfect as “Ray’s Mom.”  The blonde is sort of a southern belle, which really worked for the character.  Linda’s slightly southern accented voice really worked in her favor and totally sounded like a legitimate mother.

In this screengrab from Gruesome Threesome, “Ray’s Mom” (Linda Collins) doesn’t look like the type of guardian you’d want to cross

Linda also looked similar to the “Bloody Mary”actress in Hair of the Dog, which was intentional by Writer Tim Clark.  I also give her credit for the handling of the real-life sharp chainsaw used in the movie.  The chainsaw was not dulled and could have easily carved through the floor, destroyed any nearby prop or person.  I was very adamant about her safety and of the location.  I made sure Linda knew to stop the scene if there was any problem at all, but things went incredibly smoothly and nobody got hurt (including the location).

Speaking of the chainsaw I have to thank Essco Service Co. Inc (584 W. Hoffman Avenue, Lindenhurst, NY 11757 Phone 631-226-7304 www.treeservicesupplies.com)  in Lindenhurst, New York for allowing us to use one of their saws in the movie.  Natalie Raso and the other nice folks @ Essco were incredibly helpful in not only allowing use of the saw, but teaching me how to use it safely for the film.  I’m indebted by helping us out.  Essco is the best company on Long Island to contact for not just chainsaws, but Stump Grinders & Chippers, Timberwolf and Log Splitters.

I’ve always appreciated strong female characters (Jim Cameron is one of my favorite directors) and I have to say both “Sarah” and “Ray’s Mom” both fit that character description.  Kudos to Tim for creating them.

Make-Up Artist Regina Tune prepares Linda Collins for Gruesome Threesome. Photo Terry Wickham

Make-Up Artist Regina Tune returned for her third consecutive production (Abandoned, Whatever It Takes Trailer) and did another stellar job on the actors looking great.  She’s a real sweetie and I know the cast and crew feel the same about her way of working.  She’s there doing what needs to get done on each actor in almost an invisible way.  I couldn’t ask for more from the person handling the look of my actors.

Sound Recordist Bryan Lopes on the set of Gruesome Threesome 2/19/17 Long Island City, NY. Photo AVS Production Company

Sound Recordist Bryan Lopes was a real find.  He fits perfectly together with Adrian, Giorgio and Regina as highly trained professionals that go about their business the right way.  I like how Bryan doesn’t need to shout to get his point across.  Instead he is respectful on how he expresses himself and that comes across much more impactful.

Chanise, Terry and John on the set of Gruesome Threesome. Photo AVS Production Company

When I’m directing a movie, lots of things are running through my mind.  If things are just blurted out by crew members, it’s not only distracting but unnecessary.  I’m usually juggling the shot that came before, the shot that will follow combined with the actors performances, the look of the shot, lighting in the shot, camera movement (if any), focus, flow of the scene, if the scene comes across as real, good enough or needs to be redone.  If it does need to be redone, what’s wrong with it if it doesn’t work, etc.?

It shows that Adrian, Terry and Giorgio love working together

For these reasons I like crew that respect the process and each other by communicating their problems/concerns in a more subdued professional way and Bryan does that to a “T.”

PA Nicholas Girimonte and Director Terry Wickham

Production Assistant Nicholas Girimonte was incredibly helpful as our PA.  He not only operated the slate for most of the shoot but ran to pick up painters tape for covering the windows and later drove to pick up all important lunch from Chipotle.  Nick was another positive person to have onset and he certainly lent a hand at what needed to get done.

Location Manager/Still Photographer Mark Goldberg (sitting) sets up “The Downfall Johnny Garrett” on DVD for the cast & crew to view. Photo Terry Wickham

Last but certainly not least is Location Manager/Still Photographer Mark Goldberg.  Mark was kind enough to volunteer use of his new apartment for all the locations seen in Gruesome Threesome.

In this screengrab from Gruesome Threesome, Goldberg’s cozy LIC residence was turned into a house of horrors

His apartment worked beautifully, as it was central located and a super comfortable place to film.  I really appreciated Mark being flexible enough for us to move around his furniture and to allow us the best use of his space.

Chanise Renae chills out between takes on the Gruesome Threesome. Photo AVS Production Company

Mark is a professional photographer by trade and as you can see in his many photos that accompany this blog, his work speaks for itself.

Still Photographer Mark Goldberg captures “Sarah” (Chanise Renae) on the monitor during Gruesome Threesome filming. Photo AVS Production Company

I can’t thank Mark enough for all that he did towards making Gruesome Threesome.

Finally Producer David Melanson must be acknowledged.  David helped give the movie enough financial support to get the behind the scenes things needed for the movie and cast & crew.  I can’t thank David enough for consistently coming through and being a true force behind creative endeavors like Gruesome Threesome.

Terry Direct’s the Trailer for Whatever It Takes

Right to left Director Terry R. Wickham stands ready to get started while Steadicam Operator Frank Angelcyk discuses shot with Director of Photography Adrian Popescu, 1st AC. Giorgio Savona listens arms folded.

Saturday January 21, 2017 was a very productive day for filmmaker Terry R. Wickham.  It was the beginning of a 16-hour period of time that he led 18 people in making the Trailer for Whatever It Takes.  The shoot began with the crew arriving at a call time of 3pm and didn’t end until 6:45am the next day, Sunday January 22, 2017.

The lead actors of Take It Back are (left to right) Nicholas Calhoun, Anthony Bisciello, Phil Locastro and Rocco Gioia

This opportunity brought some crew from Terry’s film Abandoned, mixing them with the main cast from Take It Back TV Episode 1 (2015) and some new cast & crew members.

(L to R) Director Terry Wickham leans down to look at his shooting script, while Grip Ian Biesinger is ready to assist, DP Adrian Popescu lines up shot, with Steadicam Operator Frank Angelcyk listening.  Giorgio Savona holds the Steadicam. Near far right actor Rich Haddad sits preparing to play the role of “Dan”

Wickham talks how things went down, “Whenever you do a movie, trailer for movie or music video there’s no telling how things will go because you are combining all sorts of folks.  Some are experienced, while others are not.  You don’t truly know the commitment each person will make or the work ethic they will exert beforehand.  So in some ways it sort of crapshoot.  The one thing that’s certain is no shoot is ever exactly the same.

(L to R) Grip Eileen Viglietta, Steadicam Operator Frank Angelcyk, Gaffer Dexter Fenner, DP Adrian Popescu, 1st Giorgio Savona holding Steadicam, Grip Ian Biesinger adjusting light

But as we went to work, it was obvious to me that we had some hard working talented people on board who cared about what we were doing.

In the screen grab from the Trailer for Take It Back, DP Adrian Popescu really captures  the moment with his lens and lights as Nicholas Calhoun plays “Lorenzo”

There’s one shot between his acting and the composition Adrian Popescu orchestrated, which looks right out of a Michael Mann film.

In this screen grab from the Trailer for Take It Back, “Gino” (Rocco Gioia) listens to “Mike’ (Phil Locastro) rant to “Betty” (Janice Silver)

Rocco Gioia played his character “Gino” not far off the vest.  This was a smart choice on his part, as he come across very natural.  Some of his lines & expressions with “Sarah” (Megan Penn) had me laughing.

Actress Megan Penn really shines in the scene as “Sarah”, Sound Recordist Mark Fraunhofer holds the boom mic

Actress Megan Penn delivered as “Sarah.”  Leading up to the shoot I was met with some opposition from some of the stalwarts on the project as they didn’t feel her character was necessary and couldn’t understand someone would fly in from Los Angeles to do the part.

In this screen grab from the Trailer for Take It Back, “Sarah” (Megan Penn) is trying to deal with the death of a loved one. “Dan” (Rich Haddad) sits close to her right, while “Mike” (Phil Locastro) sits in the distant right

But Megan made them believers after seeing her performance.  I really enjoy working with her because she’s utterly committed and looks sensational.

Director Terry Wickham watches actress Janice Silver play “Betty” in front of Phil Locastro and Gocco Gioia, Grip Ian Biesinger leans legs crossed waiting to begin

Janice Silver really impressed me as “Betty.”  Not only did she bring the wealth of her life experience to the role which made her very believable, but helped transport Megan to the shoot as well.  Most important to me was her positive attitude.  She didn’t complain one bit when it took a while to get to her first scene and I appreciated her patience and understanding of the filmmaking process.

Cinematographer Adrian Popescu is a master of the camera in Yonkers, New York January 21, 2017

 

Director of Photography Adrian Popescu proved is worth in gold and made a lasting impression on everyone who hadn’t worked with him before.  I got compliments on his work from almost everyone.

DP Adrian Popescu and Director Terry R. Wickham show true chemistry as a filmmaking tandem. 1st AC Giorgio Savona has been part of both their filmmaking endeavors so far

What’s so great for me about Adrian is that even though I came in with a strong vision (every shot planned out), when you get in the throes of production sometimes you need to alter or cut shots.  When this happened I would go to Adrian to ask what he thought and he always had excellent feedback when I had to make such decisions.  To me, it’s not just telling the DP what to do, but at getting his creative input to germinate our visual partnership on the movie.

1st Assistant Camera Giorgio Savona between shots

Having Giorgio Savona back from Abandoned as First Assistant camera was nothing but a joy.  Giorgio understood Adrian’s working style and provided Adrian the assistance as his right hand man.  Giorgio brings a real upbeat attitude that makes the hard work even more fun than it should be.  I can’t wait to work with him again on the film I’m directing and Adrian is shooting next month called Gruesome Threesome.

Steadicam Operator Frank Angelcyk with his rig

Steadicam operator Frank Angelcyk stayed beyond the time he had initially agreed to, which really helped to get the floating shots I had envisioned for this scene.  I credit this to his character and obvious friendship with Adrian, who brought him aboard the production.  I haven’t seen the footage since we shot but in the monitor it looked quite good to me.

 

Gaffer Dexter Fenner looks pleased to be part the shoot for the Trailer for Take It Back

 

I could help but notice the effort given by Gaffer Dexter Fenner.  I kid you not that the man virtual never stopped working.  I saw him stepping over pews during takes to attend to lights, flags, apply diffusion on a never-ending basis.

This is the only photo Terry could find that had Co-Producer RIchard Kern in. You can see Rick way back on the far right watching the scene scene shot of the four guys talking in the pew in Virgin Mary Antiochian Orthodox Church located in Yonkers, New York

I’ve got to give Co-Producer Richard Kern credit.  Besides finding Dexter and the two grips and production assistant, Richard gathered all the food for the shoot and took care of some production logistics.  This was very helpful for the shoot because Producer/Co-Writer/Creator/Actors Rocco Gioia and Phil Locastro were busy playing their respective roles.

“Dan” (Rich Haddad) walks over to sit down next to his friend “Mike.” Steadicam Operator Frank Angelcyk follows capturing it happen

We have to really thank Rich Haddad for getting the location, which not only looked good but was very comfortable filming in.  Plus Rich played the character “Dan” seen early in the scene.  I felt his contribution as an actor was valuable because he help set up the comradery of the scene.

Sound Recordist Mark Fraunhofer with boom on the set of the Trailer for Take It Back

Sound Recordist Mark Fraunhofer joined the team shortly before the shoot when the original sound guy departed three days before filming.  Mark captured what was needed with a combination of his lavalier and boom mics.

Make-Up Artist Regina Tune works her craft on actress Megan Penn

It was great seeing Abandoned Make-Up Artist Regina Tune again and everyone loved working with her.  She certainly did her job making the actors look as they could.  I just adore her how beautiful of a person she is on the inside and outside.

Make-Up Artist Maria Alexandra at work for the Trailer for Take It Back

Make-Up Artist Maria Alexandra was new to the team and she was quiet and went about her job in an almost unnoticeable way, which is a compliment to her.

Five Towns College ended up providing the two grips and production assistant, so I was happy with who came out of that institution.  The knowledge and integrity each person displayed reflects that school well.  Plus they were the only people who got to the location before me, which hasn’t happened often in my 30-year directing career.  So right of the bat they made a good impression.

Grip Ian Biesinger operates the slate on the set of the Trailer for Take It Back

Grip Ian Biesinger was pretty invaluable jumping right into helping Dexter get the lights set up and then later taking the reins on updating and clapping the slate.  Ian definitely has what it takes to do this type of endurance work.  There seemed to be no job too big or small for his skills and that’s the perfect attitude needed to succeed in this business.

Grip Eileen Viglietta (center of photo) looks on as a shot is set up

Grip Eileen Viglietta was a real breath of fresh air on the set.  She came in with a smile on her face and carried enthusiastic spirit that was infectious.  This may not sound like a big deal to you, but on a movie shoot that lasts a double a normal 8-hour work day, it’s huge in making the experience more enriching.  Eileen was also right there helping with lights and all related equipment, which was exactly what was needed.

Production Assistant Nicholas Girimonte

Production Assistant Nicholas Girimonte was another real find.  Positive, interested in everything, he served as Richard Kern’s right hand man taking care of all sorts of things needed to be attended to.  He is definitely passionate about filmmaking and that’s the single most important trait anyone can have to do this type of work.

The only real problems over the shoot was having some perfectly good takes ruined by people talking outside the set area and some normal delays with lighting and the Steadicam gear.

Director Terry R. Wickham as very pleased with his Camera Team (L to R) Adrian Popescu, 1st AC Giorgio Savona and Steadicam Operator Frank Angelcyk

Despite a high page count and over 20 shots to get in limited time, the shoot for the Whatever It Takes was a success.  Sure I had to alter some of the shots I was hoping to get, but that is expected on every production.  I look forward to when the Trailer/scene is edited and ready for everyone to see exactly what we did up in Yonkers, New York on this January weekend.