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The Terminator – Special Edition



The Terminator – Special Edition

MGM Home Entertainment – 1984

Directed by James Cameron

Written by James Cameron and Gale Anne Hurd

Arnold Schwarzenegger
Michael Biehn
Linda Hamilton
Paul Warfield
Lance Henriksen

THE TERMINATOR hits the screen with a full out assault on your cinematic senses. Between the excellent acting, photography, editing, music and special effects, this is a powerful directorial attack from the brilliant mind of James Cameron. THE TERMINATOR’s greatest strength lies in its circular story that presents a narrative structure that few films will ever achieve. It’s the way Cameron has connected the future with the past and the resulting action that comes from it.

A muscular cyborg, THE TERMINATOR (Arnold Schwarzenegger) travels through time to present day (1984) Los Angeles. THE TERMINATOR’s mission is to find and kill Sarah Connor (Linda Hamilton) who will mother a child, John Connor, who will lead a fight against the machines in the future.

Simultaneously, John Connor sends back a resistance fighter named Kyle Reese (Michael Biehn) to stop THE TERMINATOR from killing his mother. Even more amazing is the fact that Kyle Reese ends ups getting Sarah pregnant, which means John Connor sends back his father, so that he will be born. It’s a full circle that has no end. That is unless THE TERMINATOR can break the chain.

Arnold Schwarzenegger has never been better. In fact, I don’t believe he will never top this character. Between his massive build and his vocal delivery, he is THE TERMINATOR. Arnold gives the character great body movements as he jerks his head and moves in a somewhat robotic manner.

Michael Biehn is unforgettable as Kyle Reese. Undersized compared to Schwarzenegger, Biehn battles Arnold and is utterly believable as a futuristic warrior and man who loves Sarah Connor. The romantic link between Kyle and Sarah is beautiful, convincing and will touch your soul. It’s the love story between these two characters that lifts this film far above the more technically proficient sequel T-2 and other Sci-fi action films.

Adam Greenberg’s cinematography is really wonderful. He is a master at creating ominous lighting that helps sets the mood of THE TERMINATOR and brings the apocalyptic future onto the screen.

Brad Fiedel’s score is inspired collection of dark keyboard lines, big pounding drums and metallic clangs. It’s war music that symbolizes the story.

Editor Mark Goldblatt must be mentioned. His aggressive cutting joins Cameron’s story together, never letting things slow down, except where the film needs to.

MGM has gone all out to put together a supplemental section that will make any TERMINATOR fan happy. We get two documentaries about the making of the film. Other Voices is a brand new feature that covers the entire creation of the film with the thoughts and testimony from nearly every major contributor from the film. It’s fascinating hearing how the film was created. While James Cameron was in Rome, Italy working on PIRAHNA 2, he became very sick and during his illness, had nightmares about a large robotic man rising up from an inferno. This image was the genesis of this landmark film. The second documentary The Terminator – A Retrospective was recorded in 1991, around the time of T-2 and features Cameron and Schwarzenegger speaking out about their work on THE TERMINATOR.

Originally Cameron was going to cast Lance Henriksen as THE TERMINATOR. During the audition process Henriksen dressed up as the character, walking into the room in full costume and even metal teeth. Eventually Cameron had a meeting with Arnold Schwarzenegger, who had hopes of playing the hero Kyle Reese. But Cameron could see that the “Austrian Oak” was perfect for the villain and asked him to re-consider roles. Cameron made a clear observation stating, “This role will be the biggest of your career and it will put you on the map as an actor.” Schwarzenegger read the script and agreed with Cameron.

There is also a massive collection of photos from the film as well as revealing behind the scenes photos.

We also get a bunch of trailers and ad spots for television. There are deleted scenes with audio commentary from James Cameron. It’s really nice to see the footage that never made it into the film, but you can certainly see why Cameron cut it out.

The DVD case itself is pretty darn cool. The powerful imagery conveys what the movie is all about. The picture quality looked cleaner than the print I first saw in 1984. The sound is leaps and bounds better than the original mix, as now the film is in stereo with aggressive use of surround channels.

One of the neatest things I found is being able to read the screenplay as A Script To Screen feature. You can look at how much Cameron ended up getting in principal photography, the differences in dialogue and on screen action. Cameron’s original complete treatment is also available and it’s surprisingly close to the final film.

I must not forget to mention Stan Winston’s special make-up effects. Winston and his crew turned Arnold into the metallic man and the full endoskeleton is one of the coolest looking things put on film. The CGI stuff today can never live up to high quality make-up effects, like the work Winston did on this film.

I can’t say enough about THE TERMINATOR – Special Edition. MGM Home Entertainment has done their job and delivered an awesome DVD. I’d find the closest DVD outlet or go online to buy this DVD immediately.


Jeepers Creepers – Special Edition



Jeepers Creepers – Special Edition

MGM Home Entertainment – 2001

Written and Directed by Victor Salva


Gina Philips
Justin Long
Jonathan Breck
Eileen Brennan

MGM Home Entertainment is putting out some amazing special edition DVDs. JEEPERS CREEPERS – Special Edition is from top to bottom, one of the finest DVDs I’ve seen. A great deal of care went into the special features and I wasn’t surprised to see that Victor Salva was in on the construction of Behind The Peepers. Tom Tarantini co-created this outstanding look behind the film. This making of documentary explodes with dazzling use of behind the scenes footage, still photos and Bennett Salvay’s incredible music.

The first section is called Finding Trish And Darry.  Producer Tom Luse and Victor Salva explain how they went about casting the two lead characters. We even get to see Gina Philips and Justin Long’s impressive first auditions. It’s in this section that Victor Salva admits that he made JEEPERS in response to seeing THE BLAIR WITCH and THE SIXTH SENSE. After seeing those films, he said it inspired him to go back and make the kind of film he made in during high school the only kind he always wanted to make. Salva grew up watching the old Universal “Monster” movies and JEEPERS CREEPERS came out of that.

 In Designing The Creeper Brad Parker Designer/Illustrator tells how he immediately could visualize Salva’s script. Parker grew up in Nebraska and says The Creeper is a classic Midwest bogeyman. He said he could totally relate to the wide open spaces with trees by themselves and old abandoned buildings left along the roadside. Cars And Trucks is the segment that shows how The Creeper’s old beat up truck was designed. Victor Salva says as he was putting together the opening 30 minutes of the movie, he realized that he was making DUEL, which he saw when he was thirteen years old. The Creeper Comes To Florida Jonathan Breck who played The Creeper, details how he played the mysterious character. Included is his audition, the sniff test scene, which is he performs amazingly similar to the final film. You can easily see why Breck won the role. In Night Shoots you will learn about how the film was shot at night and what the crew did to pull off the tricky stunt work. Composed By Bennett Salvay is the last section, which details how Salvay created the amazing score. We get a few sections of the film with isolated score and we get to see Salvay working with the different orchestras to get the music for the film. 

In all, the quality of the documentary interview footage, which is letterboxed and the audio and editing is pure dynamite. I haven’t seen a better behind the scenes documentary. Other supplements include: Deleted and Extended Scenes including Alternate Opening and Ending Sequences, Victor Salva’s audio commentary, a beautiful photo gallery and trailer.

I loved this movie. It is very well made by someone who is obliviously a horror movie fan. Victor Salva’s choices are mature and stylistically impressive. The first 30 minutes are as intense as any film I’ve ever seen. It made me think of TEXAS CHAINSAW MASSACRE and DUEL. Salva doesn’t rush things and lets things unfold at an old fashioned rate. The way things should be when you are telling a monster movie or suspense piece.

A brother Darry (Justin Long) and sister Trish (Gina Philips) driving home, are almost run over by someone driving menacing looking truck. A short time later they see the truck and spot the man dumping what looks like bodies into a sewer pipe. The man doesn’t take kindly to their spying eyes viciously chases after them in his supped up, tattered truck. After almost getting killed by the maniac in the truck, Darry convinces Trish to go back and see if someone is still alive. This is a big mistake as it unleashes a chain of horrifying events, each more ghastly than the other. I was very impressed with the two young lead actors. Not only are they convincing as siblings, but are both able to project sheer terror believably. You are going to see Justin Long and Gina Philips again, that I’m sure of. It’s stroke of genius keeping The Creeper hidden for most of the movie. It makes you constantly guess who and what he is. An old man, a demon, Victor Salva lets your imagination come up with what you fear the most. Some people have complained that they didn’t like the ending because it reminded them of other movies. When I really think about it after watching this film again, I don’t think he made a bad choice. I think the medium character Jezette Gay Hartman (played by Patricia Belcher) was out of place but everything else was a progression of where the story was going. Salva wasn’t afraid to put his foot down in the end and really let you see The Creeper for what he is, a monster.

Crystal Lake Memories: The Complete History of Friday the 13th


Crystal Lake Memories: The Complete History of Friday the 13th

CAV Distributing Corporation – 2013

Written and Directed by Daniel Farrands
Based on the book Crystal Lake Memories by Peter M. BrackeNarrated by Corey Feldman

Make no mistake, this massive two Blu-ray set is absolutely, positively a must have for any fan of horror.  With 400-minutes devoted to the entire Friday the 13th franchise of films, including TV Series and remake, you should not be without it.

Crystal Lake Memories: The Complete History of Friday the 13th devotes around 30 to 40 minutes on each film, combining; current interviews, behind the scenes footage & still photos, outtakes, screenplay pages, footage of what locations look like now and so much more that you will be overwhelmed with the trove of information provided by this Blu-ray set.

I like how each chapter represents a different Friday film, because it made it easier to stop/start and keep your place.  Another benefit of the gigantic size of this documentary is that it provides entertainment that will last at least a week or so (unless you do an all-day marathon).  For me, it gave me great pleasure to know each night I could watch a chapter or two depending on my schedule.


Begins with a little campfire skit, where Corey Feldman tells the story of the Friday the 13th legend and gets this whole documentary into a proper mood.

Book author Peter Bracke & Corey Feldman appear in the opening scene for Crystal Lake Memories

Chapter one covers Friday the 13th.  It was awesome seeing everyone who’s interviewed talk about their work on the unadulterated classic.  It’s not only cool hearing their comments but seeing how the cast & crew look now.  Considering I recently read David Grove’s super-in-depth book On Location in Blairstown: The Making of Friday the 13th, I didn’t really learn anything I didn’t already know but it’s still brilliantly put together.

Jeannine Taylor “Marcie Cunningham” Friday the 13th

Friday the 13th Part 2 is the second chapter and this was a real treat for me.  I learned quite a bit about the production I didn’t know and one of the many highlights was seeing what the Connecticut filming locations look like now.  I never knew that the late Stan Winston was supposed to do the make-up effects but couldn’t when he took another film instead.  This project certainly didn’t suffer from getting Dick Smith protégée Carl Fullerton to handle the job instead.  I consider Part 2 to be one of the top-three Friday films and you guys will probably enjoy getting the detailed lowdown of how they did it.

I didn’t realize that Director Steve Miner played the newscaster on TV at the beginning of Friday the 13th Part III.  This is the kind of information that gleams in chapter three.  We get to see what the California locations look like now.  I never knew the production had a problem with bees and snakes but you’ll be told about it here.  There’s a great deal of insight shared about how the production used three-dimensional photography.  It was funny listening to how the crew came to loathe the huge Louma Crane, Steve Miner choose to utilize to give the movie its look.

Kimberly Beck “Trish Jarvis” Friday the 13th: The Final Chapter

With the fourth chapter, Director Joseph Zito and Tom Savini speak comprehensively about their involvement of Friday the 13th: The Final Chapter.  I also appreciated hearing actress Kimberly Beck, Corey Feldman and the other cast members talk about the shoot.  One of the most interesting stores is told by Ted White, who didn’t take a credit playing Jason Voorhees.  White tells the story of when they were filming the scene in the lake where he kills Samantha (Judie Aronson) by stabbing her through the chest, while she lies on a rubber raft.  Supposedly the lake was near freezing temperature.  To pull off the effect Aronson had to stand positioned with most of her body submerged beneath the lake, with a fake backside dummy attached to her head on the raft.  Because of this she couldn’t move, which caused her to turn blue from the frigid water.  White went to Director Joseph Zito to let him know about her condition.  When Zito refused to stop shooting, White told him he’d walk off the film if they didn’t take care of her.  This will a good call on White’s part as Aronson had developed hypothermia.

Melanie Kinnaman “Pam Roberts” Friday the 13th Part V: A New Beginning

Friday the 13th Part V: A New Beginning is represented in the fifth chapter.  Everyone talks about how Director Danny Steinmann came from exploitation side of filmmaking and brought a seediness that exceeded anything the franchise had seen.  To hear one person describe how Steinmann communicated on the set during one scene, some might find it offensive but it was funny at the same time.  Melanie Kinnaman explains that her and her co-star John Shepherd were supposed to be cast in next Friday film but then Shepherd decided against it canceling out her opportunity.  Being a big-bust fan, I enjoyed hearing how Friday the 13th Part VI: Jason Lives hottie Darcy DeMoss was passed over in casting for well-endowed actress Debi Sue Voorhees.  Both actresses talk about it as well.  I didn’t know that Danny Steinmann passed away in December of 2012.  There’s a recent photo of him as a tribute that closes the chapter.

Jennifer Cooke “Megan Garris” Friday the 13th Part VI: Jason Lives

Speaking of Friday the 13th Part VI: Jason Lives, it was enlightening listening to Frank Mancuso Jr. talk how after the poor reception of the fifth film, Paramount Pictures wanted him to get the film series back on track.  Mancuso Jr. selected Tom McLoughlin because of McLoughlin’s ingenious idea of resurrecting Jason Voorhees in Frankenstein fashion.  McLoughlin speaks candidly how he felt he needed to lighten the tone a bit to make it more entertaining, while at the same time bringing a Gothic touch to make it scary as well.  It was great seeing actress Jennifer Cooke again as I really liked her in the film.  Actress Darcy DeMoss discusses how the nifty special effect was achieved to get her face imprint sticking out of the Winnebago wall, after Jason forcefully shoves her face against it.  Tom McLoughlin also explains how he made all sorts of references within the film to horror filmmakers (like Carpenter & Craven) as well as genre legends like Karloff to honor horror heritage.  The director says Kevin Williamson later told him that his Friday film actually influenced the way Williamson wrote Scream ten years later.  I also thought it was very telling that McLoughlin points out that his film was the only one in the entire series to include children in the camp setting.  He felt that putting children in potential danger heightened the on screen terror and I would have to agree.  These are just a few of the reasons why Jason Lives is easily one of the top-three Friday films and contrary to popular opinion, better than The Final Chapter.   I can’t forget to share a funny story told about Producer Don Behrns.  Nobody on the crew liked the way Behrns was always penny pinching the production.  To get him back, multiple crew members describe that there was an expensive piece of equipment that Behrns would be getting a bonus for, if it was returned unharmed after the film was complete.  Aware of this, when the dangerous Winnebago stunt was set up at the end of the shoot, crew members purposely fastened it on top of the RV.  When the recreation vehicle hit the ramp and flipped sideways, the item flew off and shattered against the pavement, much to the rest of the crew’s delight.

Friday the 13th Producer Frank Mancuso Jr. spearheaded Parts 2 through Part VII and the Television series

Ten-minutes are spent talking about the Friday the 13th Television series, which rounds out the first Blu-ray disc.  Frank Mancuso Jr. is still proud of creating 73 hours of television, which included segments from David Cronenberg and Tom McLoughlin.


The seventh chapter is devoted to Friday the 13th Part VII: The New Blood.  The biggest story from this Alabama shot installment was how Director John Carl Buechler, his cast & crew describe how the MPAA cut the film to ribbons.  The movie had a bunch of extended gore effects that had to be removed to get an R-rating, castrating this movie in the process.

Friday the 13th Part VIII: Jason Takes Manhattan is the focus of chapter eight.  Besides the tenth installment (in space) this has to be the most far-fetched, ridiculous concept for a Friday movie.  Though I understand the same location got a bit stale after a while, the fact is the camp ground is almost as much of a character as Jason.   Removing him from his habitat really didn’t work and was straight up silly.  Writer-Director Rob Heddon was aware of all the holes in his concept and choices for where he story goes (Jason goes under water at Crystal lake and ends up coming up in the Hudson River) but decided to just let the audience figure out how it could feasibly happen (that’s lazy and worked against the movie).  It’s choices like this that made it one of the weakest entries and not surprisingly one of the lowest money makers because of it.

Erin Gray “Diana Kimball” Jason Goes To Hell: The Final Friday

In chapter nine, Sean Cunningham says he came back to Friday the 13th because he really wanted to do Freddy vs. Jason.  While waiting for that project to lift off, Cunningham decided to make another Jason film to keep character relevant.  Paramount didn’t want to do any more sequels after the lackluster performance of Jason Takes Manhattan so Cunningham was able to get the rights back from Paramount and then set something up with New Line Cinema.  The reason why part nine is called Jason Goes to Hell: The Final Friday instead of a Friday the 13th film is because Paramount kept the rights to Friday the 13th, while Crystal Lake Entertainment retained to rights to Jason Voorhees.  Cunningham turned to Adam Marcus, who was 23 years old to take the reins for Jason Goes To Hell.  Marcus was incredibly enthusiastic but admittedly way over his head making a movie of this size.

Julie Michaels “Agent Marcus” Jason Goes To Hell: The Final Friday

While Freddy vs. Jason was in development hell, Jim Isaac suggested they make another Jason film.  So they went to Toronto to make Jason X.  Fortunately the production was able to secure the services of the crew who worked with David Cronenberg, when they cast the legendary director to play an important part as a actor.  Jason X had a budget of 13 million dollars and Isaac tried his best to push the movie to the max in terms of being ambitious.  The project was affected by the success of Scream because the studio gave notes that they wanted the script changed to become self-referential and this negatively changed the overall tone from dark to light.  On a sad note, Director Jim Isaac passed away in 2012 at the young age of 51 years old.

You will learn in chapter eleven that there were numerous (fifteen or so) screenplays written for Freddy vs. Jason.  Then on top of that, the studio considered forty different filmmakers for director.  New Line head honcho Robert Shaye finally decided on Ronny Yu because he had a journeyman quality and an outside perspective.  The whole hoopla about Kane Hodder not being cast as Jason is discussed with multiple people and I’ve always felt it was the right move not to use him.  I’ve never agreed that Hodder was the best Jason.  New Line Cinema felt this way and there choice of putting Ken Kirzinger in the role certainly paid off.  One of the best scenes in the movie, the cornfield massacre, is discussed at length and it was really cool listening to Ronny Yu point out specific moments and shots that make it a standout scene.  Actress Monica Keena says that actress Kelly Rowland despised the scene where she had to give Jason mouth to mouth to keep him alive, in the scene they were transporting him in a van back to Camp Crystal Lake. 

Director of Photography Daniel Pearl Friday the 13th (2009)

Twelfth chapter goes over the ill-conceived & poorly executed reboot of Friday the 13th, which easily is one of the worst remakes in my opinion.  Michael Bay’s company Platinum Dunes inquired the rights to Sean Cunningham’s film but foolishly decided against using the original story of Ms. Voorhees, which was honestly an idiotic move because Jason is considerably less interesting as a character and had been done to death.  By the way there is a fun little edited section where everyone describes this new take was drilled into the cast & crew as “reboot”, which is a word I don’t like because it almost always equates to crap.  Derek Mears was a huge fan of the Friday the 13th series and it was his dream of a lifetime to play Jason.  Mears also says, he has a disorder called Alopecia, which is where hair is rejected by his body, which made him feel an affinity to Jason Voorhees character because this made him different like the legendary character.  Producer Brad Fuller says that he felt the series went away from having nudity in it, so it was important that they bring it back.  It was no surprise to hear that there was a constant battle between Director Marcus Nispel and the Platinum Dunes producers.  That might explain why it turned out so poorly.  That kind of interference always works against a film.

Narrator Corey Feldman “Tommy Jarvis” Friday the 13th: The Final ChapterFriday the 13th Part V: A New Beginning

The last section, the thirteenth chapter is called “Reflection on the Water” devoting fifteen minutes to the past, present and future of Friday the 13th.  Almost everyone talks about how being in a Friday movie has empowered them and they’ve become quite proud of being in the series.  Mancuso and Savini say they lived for the moment of seeing an audience react to the movie.  I think it’s really great to hear to hear how almost universally all the people that worked on a Friday movie feel so positive about it now because let’s face it, society as a whole has always put the series down.  Sean Cunningham admits that he doesn’t understand why Friday the 13th has become so iconic but he’s just glad it happened.