Stash Stash Gallery Gallery April 16, 2017 email@example.com To commemorate the upcoming release of Devil’s Five feature film, here is a Gallery from Stash, which was the first of five segments to go before the camera back in the summer of 2014. Part of Stash was shot deep in the woods of Califon, New Jersey. In the far distance Stash Writer Tim Clark is venturing into the real world his character “Faith Daniels” would be traveling through later at dusk. Photo Connor Hassler G. Paul Salvetti (left) and his family allowed the production to shoot Stash on their considerable acreage of wooded land. G. Paul Salvetti, Director Terry R. Wickham (center), Production Designer Michelle Rickert hidden behind Writer Timothy David Clark (in black shirt and hat on right) hold a conference before shooting begins on Saturday 7/12/14. Stash had an incredibly hard-working crew. Here left to right: Best Boy Kyle Weaver (blue), Gaffer/AD/Associate Producer Michael Fels (white) helps Best Boy/Key Grip Ian Clarkson (red) carry the equipment needed to light up the woods at night. Steadicam Operator Devon Catucci prepares for a whole night of shooting. Director Terry R. Wickham was told by the first DP he hired for Stash that he would never get Steadicam for Stash because the budget couldn’t afford it. Wickham proved that DP wrong after he fired him. The truth is Devon Catucci accepted the gig less than 24 hours before the shoot, when Wickham had to scramble after the original Steadicam Operator took another gig the day before shooting begun. 7/12/14 Califon, NJ. Wickham selected young filmmaker Zachary Atlas to document the making of Stash. Look for the behind-the-scenes chronicle to be part of the Devil’s Five release. Director of Photography Edwin M. Figueroa was a huge part of Stash. Not only was he responsible for the look of Stash, but a year later The Devil’s Five segment, which he also shot for Wickham. Figueroa is one of the three partners that make up the feature film Devil’s Five and directed his own episode called “Choke.” Production Designer Michelle Rickert (middle right) prepares “Faith’s” (Almog Pail) Stash bag for the movie. Behind them in the woods of Califon, NJ left to right: Associate Producer G. Paul Salvetti, Costume Designer Lindsey Vandevier, Make-Up Artist Sarah R. Cruz and 2nd AC Tiffany Provido. DP Edwin M. Figueroa sets up a stand for Devon Catucci to rest his Steadicam rig between shots. Director Terry R. Wickham goes over the first Stash scene with his leading lady Almog Pail on 7/12/14. DP Edwin Figueroa and 2nd AC Tiffany Provido stand in the distance. Editor Robert Figueira stands in pink shirt in foreground. Near left Production Designer Michelle Rickert (blue top) talks to Costume Designer Lindsey Vandevier (middle in grey), while Make-Up Artist Sarah Cruz listens. In the distance far left Director Terry Wickham talks to his star Almog Pail. Editor Robert FIgueira (middle in pink) observes as well as Gaffer/AD Michael Fels (white) on far right. Director Terry R. Wickham directs one of the shots that are part of the first item “Faith” (Almog Pail) must find. DP Edwin Figueroa and Steadicam Operator Devon Catucci prepare accordingly in Califon, NJ. Steadicam Operator Devon Catucci and DP Edwin Figueroa get down and dirty to capture the look of Stash. Director Terry R. Wickham can almost always be seen with the script for the movie he’s making in hand within his blue protective binder. Here Almog Pail listens to the direction of the next shot as the sun goes down and things are about to get very dark in the woods. Never one who afraid to get dirty, Production Designer Michelle Rickert wades into the swamp to set up a critter effect she ingeniously created and will hand operate for the shot. Director or Photography Edwin M. Figueroa really put to use his considerable skills and experience to create the gorgeous look of Stash. Taking full advantage of what the woods offered the production. As night falls, Steadicam Operator Devon Catucci stands ready for the next shot in Stash. Filmmaker Terry Wickham helps direct the placement of the critter Production Designer Michelle Rickert will operate during Stash. The production had to truck-in/hand carry in a considerable amount of movie making equipment (lights, c-stands, mumbo-combos, etc) to light of the environment for the first night of shooting on Stash.